- The Use of Sonnets in 20th Century Poetry
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- The Use of Sonnets in 20th Century Poetry :: Papers
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While humans might learn about themselves through nature, nature and its ways remain mysterious. Frost marveled at the contrast between the human capacity to connect with one another and to experience feelings of profound isolation. In several Frost poems, solitary individuals wander through a natural setting and encounter another individual, an object, or an animal. These encounters stimulate moments of revelation in which the speaker realizes her or his connection to others or, conversely, the ways that she or he feels isolated from the community.
Longer dramatic poems explore how people isolate themselves even within social contexts. Later poems return the focus to solitude, exploring how encounters and community only heighten loneliness and isolation. Work allows his speakers to understand themselves and the world around them. Traditionally, pastoral and romantic poets emphasized a passive relationship with nature, wherein people would achieve understanding and knowledge by observing and meditating, not by directly interacting with the natural world. Long considered the quintessential regional poet, Frost uses New England as a recurring setting throughout his work.
Although he spent his early life in California, Frost moved to the East Coast in his early teens and spent the majority of his adult life in Massachusetts and New Hampshire. His speakers wander through dense woods and snowstorms, pick apples, and climb mountains. Frost coined the phrase the sound of sense to emphasize the poetic diction , or word choice, used throughout his work.
The Use of Sonnets in 20th Century Poetry
According to letters he wrote in and , the sound of sense should be positive, as well as proactive, and should resemble everyday speech. Many poems replicate content through rhyme, meter , and alliteration. Believing that poetry should be recited, rather than read, Frost not only paid attention to the sound of his poems but also went on speaking tours throughout the United States, where he would read, comment, and discuss his work.
Storytelling has a long history in the United States, particularly in New England, and Frost wanted to tap into this history to emphasize poetry as an oral art.
They not only mark boundaries on earth, such as that between a pasture and a forest, but also boundaries between earth and heaven. Trees function as boundary spaces, where moments of connection or revelation become possible. Sonnets were originally known as love poems from the writer to their lovers, but later developed into other kinds of poems.
Seizing the day, living in the moment, and enjoying the youth are all examples of other meanings sonnets can have. During a sonnet, a story can unravel throughout the quatrains and eventually changing the thought process and emotion of the poem. Shakespeare followed a different format in his sonnets than Petrarch did A century that was full of many innovations; most importantly, these events made a tremendous impact in our lives as of today. The 20th century contributed an abundance of improvements to our culture.
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Robert Frost's poem has a lot less serious tone compared to the other two poems.
The Use of Sonnets in 20th Century Poetry :: Papers
The message is still put across well but more subtly which fits with the poem. He is talking to the people through his poem but in a rhetorical manner and closes the poem with clear acceptance of his message therefore explaining the title. Robert Frost's sonnet uses the Shakespearean format. This is where each line is in iambic pentameter with an unstressed syllable followed by a stressed one e.
The lines have rhyming quatrains and end up in a rhyming couplet: abab,cdcd,efef,gg.
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This is clearly evident in the ending of his sonnet Acceptance: line13 'for me to see' and line 14 'what well be, be'. All of this adds to the message of the poem is the acceptance of death of a person through their natural course. There is reference to the acceptance of death when it says, 'No voice in nature is heard to cry aloud' this also bring the image of darkness and silence into the poem bring a solemn tone of death.
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There are three quatrains in this sonnet and each tells a different part to the story; 1st quatrain tells us of the start of the sun setting, ending up in darkness and silence- this sets the initial tone by bring the poem to silence. Rupert Brooke's and Wilfred Owen's sonnets both use the Petrarchan format.
This is when they, like the Shakespearean format, use iambic pentameter but the difference is in the rhyming pattern used. This format separates the sonnets into 2 sections: the first being the octave, which is an 8 lined unit, and the second being a sestet, which is a six lined unit of verse in a section of a poem that is repeated in the same form, with either similar or identical patterns of rhymes. This constitutes the last six lines of the Petrarchan format.
Here is the sequence for the whole Petrarchan format: abbaabba, cdcdcd.